Posts tagged ‘horror’
August 6, 2016
I woke up today with a gut full of guilt.
‘Damn…the last time you blogged you were shopping for winter coats, son!’
Life, distractions, and general head-up-assery too often gets in the way of productivity and good intentions. Lame, right? But I take a whisker of comfort from the fact that I’ve actually been making stuff. Pretty good stuff, too. The Iron Maiden game that I helped conceive the story for came out this summer, and is doing gangbusters with hardcore fans. The epic Cat’s Maw audiobook has, at long last, launched in all its haunting, hypnotic, and David-Kaye-virtuosic glory. And the secret ‘two-novels-worth-of-Pratchett-inspired-dialogue-AAA-fantasy-mobile-RPG‘ I’ve been crafting for the past year is about to drop worldwide next month:
Yet in the midst of all that noise? I could hear the flow of an old, familiar River…
Yes sir. A change was coming.
January 1, 2016
Happy 2016, faithful readers! With a new year shifting into gear, it seems like the blogosphere gets compelled to crank out ‘Best of‘ lists. And honestly? I’m no different. It’s just that mine tend to focus on stories.
That said, I’ve got some sticky truths I need to own up to from 2015: 1) I’ve been too swamped to read enough books (proofing your own ad nauseum doesn’t count), 2) I’m way too biased to share my fav TV (Mr Robot and Rick & Morty would sweep, son!), and 3) I’m too damn ‘fiscally challenged’ to rate any interactive stuff besides free Android apps (I love you, Piano Tiles 2!)
So…that leaves movies. Thankfully, the past year has been a stellar one.
Some points before cueing the drumroll:
- POST-OSCAR: I’m only counting flicks that were not up for 2015 Academy consideration, even if they were release after Jan 1.
- YET-TO-SEE: I still need to screen Carol, 45 Years, Beasts of No Nation, Macbeth, The Danish Girl, and a few outliers. I’m sure they’re all fine films, and will consider updating if one or more knock my flip-flops off.
- ‘BETTER AS DOCS’: I left out a pair of strong films – The Big Short and The Walk – because Oscar-winning documentaries on the exact same material (The Inside Job and Man on Wire respectively) were already rocking your Netflix queue.
- CRITERIA: I tend to rate flicks on the strength of the script, performance quality, direction skill, overall production…AND, most importantly, whether something ‘gives me the feels’. I shift this a little for non-fiction docs, but the structure remains pretty much the same.
Alrighty then…drumroll, please!!!